Drying Techniques

For some reason, i’ve been getting a lot of queries about drying paper recently. The following text is excerpted from my book The Papermaker’s Companion, with a few additions.

There are a few things to consider when choosing a drying system: climate, space, and the look of your finished sheets. I recommend starting simply. There is no need to invest in an elaborate system; I

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A Weekend at Constellation Studios

A couple of weeks ago, I had the pleasure of being a visiting artist at the University of Nebraska and Constellation Studios in Lincoln, Nebraska. I met Karen Kunc, who brought me there, when we were both artists-in-residence at the Oregon College of Art & Craft in 2010.

Karen just opened Constellation Studios a year ago, and it is truly an amazing facility. Just

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A Visit to The University of the Arts

I spent a week in Philadelphia recently (can you see the LOVE sculpture above? – it was a rainy day!), and I was a visiting artist at the University of the Art (UARTS) for a day, where an old coworker from Dieu Donné Papermill – Cynthia Thompson – is now the director of the MFA Programs in Book Arts/Printmaking and Studio Art.

Paper

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Holiday Gift Making!

Forgive me if this seems like a bit of an infomercial, but a girl has to do her marketing! And pardon me if you receive a message like this twice in the next day or two. If you live in Colorado and subscribe to my newsletter as well as this – my BLOG – you’ll receive two similar notes. I give you permission to delete

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Paper Retreat Wrap-Up

 

The town of Red Cliff: population: 285, elevation: 8650

From September 5-7, 2014 I held my first annual Red Cliff Paper Retreat. Ten participants and one assistant joined me for three creative days in this tiny hamlet on top of the Rocky Mountains. Here are some images and thoughts.

My studio is located in the old school house, also home

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Summer Camp

I think it was in 1992 that I had my first exposure to a summer camp for artists, and I totally dug it! I was living in NYC and had just started working at Dieu Donné Papermill. A friend told me about the Penland School of Crafts in North Carolina.

In 2006, my students at Penland helped me construct a hot air balloon,

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Make Your Own Mould & Deckle

I’ve been making paper for many years and I have to say that my absolute favorite mould is made by Timothy Moore. I’m not sure that he is even taking orders for moulds anymore (and if he is, he has a pretty long waiting list). Tim’s moulds are very expensive, which is totally worth it if you are a professional papermaker, but not so much

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Strange Papers

I had the pleasure of meeting Fred Siegenthaler at the International Association of Hand Papermakers and Paper Artist’s (IAPMA) meeting in Fabriano, Italy in early July. I’ve known about him since the beginning of my career, but our paths hadn’t crossed, but when I was doing research for my book, Papermaking With Plants, I discovered his book, Strange Papers. The New York Public Library owns

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A Map To Now

I enjoy collaboration. So far in my artistic career, I’ve collaborated with a choreographer, a sound artist, a poet, a videographer and other artists.

Here’s my newest creation, a broadside created in collaboration with poet Carl Adamshick. The publication of this piece coincides with Carl’s new book of poetry Saint Friend (which also features the poem) and you’ll find a description of the book at

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Paper Connection International

Dear Readers,

First, a quick note to let you know that I’ll be traveling for the next month in Europe. My posts might be sporadic due to internet connection (or lack thereof). I’ll be teaching, lecturing and vacationing, and I’m sure I’ll have lots to share with you…. enjoy your summer!

Lauren Pearlman Sugita with her papers

Way back in

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