The Fractured Giant

The Fractured Giant

Jacob Hashimoto (American, born 1973), The Hashimoto Index I, 2017, 96 woodblock prints on Igarashi Kozo 450g, edition of 19, Courtesy of the artist

The Sunday Paper #458

April 30, 2023

My husband Ted, our son Will and I are heading to Portland, OR on Wednesday to celebrate our daughter’s graduation from the University of Portland. Congratulations to Lucah, who started an internship last summer that led to a recent job offer. She’ll be staying in PDX for the foreseeable future. It’s a nice place to visit! Let me know if you have any Portland paper tips for me, and PDX friends: I’m hosting an open house/birthday party from 4-7pm-ish on Tuesday, May 9th at our Airbnb in North Portland. E-mail me for details.

–——————————————————————————————–––––––

How cool is this? An upcycled artwork that serves as a great reminder of your giving and the recipient’s intention. Heather Leavitt Martinez is creating these cut art cards that hang from a piece of jute twine and are temporarily backed by paper embedded with wildflower seeds. You get to: 1. Write intention(s) on seeded card with a pencil; 2. Plant seed paper; 3. Hang artwork in a window to serve as a reminder of your intentions; 4. Watch your intentions blossom and grow! Give the gift that keeps on giving!

———————————————————————————————–––––––

I love this: Rather than a list of names or topics, artist Jacob Hashimoto’s index is purely visual, a demonstration of different motifs used by the artist in his sculptural works. For The Hashimoto Index I, the artist created ninety-six woodblock prints that can be arranged into endless combinations of compositions. I had the pleasure of seeing his work in Dallas several years ago. If you’re in Boise, go immerse yourself underneath his Fractured Giant installation; if you aren’t, you can watch a timelapse video of the construction). Thanks to those of you who alerted me to this show – it was featured in AAA Magazine.

Jacob Hashimoto (American, born 1973), The Hashimoto Index I, 2017, 96 woodblock prints on Igarashi Kozo 450g, edition of 19, Courtesy of the artist

———————————————————————————————–––––––

Wowza! I can’t help myself – all of the features this week are knocking my socks off. Sho Shibuya started to reinterpret the sunrise outside his apartment window into bright, colorful paintings that masked the cover of the daily newspaper. The works became an exercise in simplicity, minimalism, and meditation, and today, they’re part of a growing archive that includes hundreds of the gradients, in addition to more evocative pieces that reflect on politics and current events. Click through to see more!

© Sho Shibuya, as seen on Colossal

———————————————————————————————–––––––

This is a fascinating article about drawings on paper dyed with indigo. Though blue paper appears frequently in international museum collections, its historical scholarship is limited. Alexa McCarthy’s doctoral research at the University of St. Andrews represents the first large-scale study of blue paper, and she recently recapped her findings to the Bowdoin community in a lecture.

———————————————————————————————–––––––

Paper Tidbits

———————————————————————————————–––––––

Papermaking Series: Embedding

Here’s the latest in my series of papermaking videos. I’ll be filming a new batch of videos in the near future. Let me know if there’s a papermaking technique that you’d like to see a video about!

———————————————————————————————––––––

If you read this blog regularly, would you consider making a donation to support the research, writing, design and delivery of The Sunday Paper? Thanks to everyone who has already pledged your support! Or, perhaps you’re interested in promoting your business in The Sunday Paper.

———————————————————————————————––––––

SHARE THIS blog post with your paper-loving friends!

I occasionally have affiliate links in my blog posts – links to products in which I will receive a small commission if you make a purchase. Thanks for your support!

6 Comments

  1. Nelia Palma says:

    Pleasant Sunday Helen. I’m happy to meet your family. As our children’s successes are our successes too, CONGRATULATIONS TO ALL!

  2. Bev Frey says:

    If you haven’t gone to or heard of Scrap in Portland (1736 SW Alder Portland, OR 9720) you should check it out. I’m not there often, but have always found something when I go. It’s a recycle/upcycle store. Last time I was there I got some corrugated plastic signs that I use for draining paper when making suminigashi. It’s just a fun place to find unusual things that I can find great uses for. I’m not generally one for shopping, but I love spending time there just thinking of what I could do with *that*! Have fun watching your kids grow into stronger adults!

    • Helen Hiebert says:

      Thanks, Bev. Someone else mentioned Scrap. I went years ago, but think it is worth revisiting. On my list!

  3. Lauren Stedman says:

    Good day Helen,
    For years I have been wanting to create paper structures with a wire framework but I haven’t found the right paper. Then I just read the artilce on Jacob and thought the paper he is using might be just the thing. I have a book that uses kite paper but American kite paper is too heavy. You may already know what would work best or you could tell me how to ask Jacob.
    I enjoy your emails and love your paper sense. I too am a paper freak! (And a letterpress printer and lino printmaker).
    Cheers,
    lauren

    • Helen Hiebert says:

      Lauren, there are surely many many Japanese papers that would work. Have you tried any? I don’t know Jacob personally, so you would just have to try reaching out through his website. There is a German kite paper I’ve used – it is thin and shiny. I don’t think that’s what he uses. I’ve never heard of American kite paper. Where have you found that?

Leave a Reply

Your email address will not be published. Required fields are marked *