The Sunday Paper #329
September 13, 2020
This is a new column. If you’re a papermaker and would like to be featured in the coming weeks and months, please fill out this form. I’d love to hear from you!
I met Velma Bolyard when she was doing a residency in Salida, CO, just a stone’s throw from my studio (more or less). She is a mother, teacher and fiber artist working mostly in artists’ books. She makes paper, shifu, dyes with natural material, spins and forages for most of her material in the North Country of New York State. After retirement from teaching in alternative special education programs she now travels to teach and exhibit. Velma’s artists’ books are in private and institutional collections and she has written for Hand Papermaking and The Bone Folder.
I first met Eugenie Barron when we worked together on a papermaking program for school kids in New York City in the early 1990’s. Eugenie tells me how she got into papermaking when she saw an exhibition of handmade paper art on a trip to UC Santa Barbara in the late 1970’s. She was so inspired by the work, that she tracked down the students and asked them for their handouts. Soon afterwards, she discovered the work of Douglass Howell in a book by Vance Studley, contacted Howell and went to work with him for a week on Long Island. After that experience, she decided to move to New York and began setting up her own studio. We discuss the work she’s done with the Women’s Studio Workshop, how she has been documenting Douglass Howell’s legacy and our joint interest in high shrinkage fibers. Enjoy our conversation!
I have fond yet fuzzy memories of invisible ink: a special pen, and lemon juice, but I can’t recall the details fully. Maybe one of you can? Anyways, here’s a cool book for kids of all ages. Soft Opening has hidden stories printed in invisible ink which can only be discovered with the help of a small UV-flashlight that comes attached to the book. So fun!
On the topic of books and flashlights, here’s one of my artist’s books, the Pop-Up Hand Shadow Book. Click through to watch the video.
When COVID 19 forced the cancellation of Design Eye Creative paper on skin’s live gala event and award evening, the Tasmanian Burnie Arts Council decided to shift to a digital format. The results were unveiled and filmed at an exclusive premiere screening recently. Design Eye Creative paper on skin connects Burnie’s papermaking heritage to a community of Australian and international artists. Their challenge was to design a wearable garment made from at least 80% paper. This video highlights each of the amazing paper entries and this one shows off the work of the winner!
Check out what Moo.com is making now. They are producing one-sheet face masks for as little as 35 cents in an effort to protect workers at companies whose customers forget to bring a mask, and to cut down on discarded disposable masks that are piling up in the most unlikely places. They look pretty cool, too!
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