Book Arts in Venice
The Sunday Paper #282
October 20, 2019
Paper of the Week: Book Arts in Venice, June 16 – 27, 2020
Printing studio of the Scuola di Grafica Internazionale in Venice, where we will work.
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In the Studio:
A big THANK YOU to everyone who sent papers for my upcoming book. I’m looking forward to figuring out how to incorporate them into the book! To me, writing a book is similar to making art. It evolves over time and I have to wait for the creative process to unfold. Going through your papers helps! I made a short video of me thumbing through the papers.
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Papery Tidbits:
- Have you listened to my interview with Stephanie Hare on Paper Talk?
- The Paper Year is now shipping. Get your holiday shopping done early with a gift that gives all year long!
- Weave Through Winter is back! This is an online class – a daily practice that will help you kick the year off and get your creative wheels spinning. Read more and sign the ‘first to find out more’ list.
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How fun, and I can smell the rubber cement! A veteran of the The London Review of Books went back in time to see if she could remember how she used to paste up copy before the digital age. This is how I learned to do it in the 1980’s, and shortly after I met my hubby in the early 90’s, he worked as a fact checker at The New Yorker, handling pages and pages of physical text. How times have changed!
Claire Van Vliet speaks so eloquently about the components of a book: succinct and to the point. Here’s an excerpt from the article: “The paper acts much the same way as the binding—through the sense of touch as each leaf is fingered, turned—smooth, soft, hard, stiff, pliable, opaque, transparent. Likewise, the type can be an emotional cue—a voluptuous type like Palatino might not be appropriate for war poems.”
Helios by Peter Schumann, 2010
I’m really looking forward to interviewing Michael LaFosse on Paper Talk this week (the episode won’t air for a couple of months). LaFosse and Richard Alexander run Origamido Studio near Boston, where they create their own handmade papers for origami. They write books and teach origami (and hand papermaking) and I love this quote: “The most amazing thing about origami is how it empowers a young folder, or even a beginner,” he said. “When they realize that with just the information in their mind, the space between their ears, they can turn a piece of paper into any kind of creature or airplane, box toy or flower. It’s just amazing when they realize they have that power.”
Here’s a fascinating story about the life of a courtroom sketch artist, one of the few in a dying breed.
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About our Sponsor: The Kalamazoo Book Arts Center (KBAC) is a nonprofit community workshop and educational center dedicated to furthering the arts of book design and printing, printmaking, papermaking, bookbinding, and creative writing. We offer adult workshops, a high school and college internship program, K-12 educational programming, a visiting artist program, ten gallery exhibitions annually, the Poets in Print Reading Series, publish limited-edition books, broadsides and more.
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| Featured this week in my Studio shop: Lore Spivey’s Cubicard design, featured in the 2020 Paper Year, The Papermaker’s Companion, Mend, and Water Paper Time. |
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