Jillian Bruschera is an interdisciplinary artist and arts-activist creating works in visual art, writing, public installation, body performance, and social practice. Alternating between a studio and a social practice, handmade recycled paper is a primary material for installation, assemblage and performance.
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Jill Powers creates environmental art, mixed media sculpture, and installation fiber art with unusual natural materials. Her primary art material is bark fiber, which she has developed as a contemporary art medium. Jill is on Visual Art faculty at Naropa University in Boulder, Colorado. Jill has shown her work internationally, and her work is in private, corporate, and museum collections.
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Susan Mackin Dolan was born in a small town in Maine near the northern end of the Appalachian Trail. She received her MFA at the University of Colorado Boulder, in printmaking and papermaking. In 1984 she helped establish the first papermaking studio in south Texas, Picante Papers, at the Southwest School of Art and was the original Chairperson.
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Simon Barcham Green is the sixth generation of the family that ran Hayle Mill, Maidstone from 1812 to 1987. He has a BSc in Paper Science from the University of Manchester and worked in half a dozen machine mills before joining the family business where he introduced the first alkaline sized mould-made water color and hand-made papers in the world.
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Mary Hark, Associate Professor in Design Studies, affiliated with African Studies & Art, teaches papermaking and textile design at the University of Wisconsin-Madison and is invited to conduct workshops and lecture at Art Centers and Universities internationally. She is the proprietor of HARK! Handmade Paper where she produces limited editions of high quality handmade papers in collaboration with book designers and artists, as well as paper artworks that have been exhibited internationally.
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Amanda Degener graduated from Bennington College and then received an MFA from Yale School of Art. Her work is in countless private collections including Library of Congress, Walker Art Center, and Cowles Media Company and she has collaborated with many talented artists from coast to coast. In 1984 she moved her paper studio to the not-yet-opened Minnesota Center for Book Arts where she was a Founder, their first Artist in Residence and later, their first Artistic Director. Cave Paper was the recipient of the Friends of the Saint Paul Public Library 2012 Minnesota Book Artist Award sponsored by Lerner Publishing Group based on her work as a production hand papermaker. Degener founded and for eight years co-published Hand Papermaking Magazine, they just had their 30th anniversary. Her community service work includes volunteering for non-for-profits, co-organizing national paper conferences (four of them) and teaching Tai Chi. Degener educates through writing, publishing and traveling to teach and exhibit her work in the United States and in places such as Japan, Italy, Sweden, Canada, Australia, Korea, and Taiwan/China.
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Bridget O’Malley is a master papermaker and co-owner of Cave Paper Inc., a handmade paper mill specializing in natural dyed flax papers. She is an adjunct professor at the Minneapolis College of Art and Design. She offers book, paper, and print workshops around the country. Her artwork focuses on forms found in nature, and bringing those to life through the interplay of print, paper, and sculpture.
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Eden Marek is a unicycle-riding, soccer ball-wielding artist from Ames, Iowa. She has a B.A. in Studio Art from Grinnell College, where she graduated in 2015. Eden works in sculpture, hand papermaking, and sound art, preferring to combine all three when possible. A recipient of the Faulconer Gallery Post-Baccalaureate Fellowship, she remained at Grinnell College for a year to assist with the Artists@Grinnell Residency Program, help coach the Grinnell Women’s Soccer Team, and collaborate with sound artist and composer Abby Aresty.
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Andrea Peterson is an internationally exhibiting artist and educator. Her work is multifaceted exploring all types of paper fibers and processes and includes paper works, prints, artist books, and environmental installation pieces. She combines paper arts, printmaking and book arts to make works that address human relationship to the environment.
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Timothy Barrett is a professor in the University of Iowa Center for the Book and the School of Library and Information Science. He was director of the Center between 1996 and 2002 and became director again in the fall of 2012. His recent research can be found here and by searching “Chancery Papermaking” on YouTube.
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